
I was flicking through my crappy little, leather CD storage case, when I came across a film I hadn't seen in about two years, Masculin Feminin. Directed by French New Wave auteur Jean Luc-Godard, whom I personally (and I'm not alone) regard as more than a bit of a genius.
Told in fifteen vignettes, the 1966 film is a candid and witty, avant garde examination of youth culture in a culturally confused, 1960s Paris. It explores a complex menage a quatre, between the two main characters Paul, a would be intellectual, obsessed with both Satre and the music of Bach, Ye Ye (A particular strain of 1960s French pop music) singer Madeleine and their two roommates Catherine and Elisabeth. This against the backdrop of a nation gripped by political upheaval and the Vietnam war. The protagonists struggling to balance political idealism with modern-day consumerism as they race through hopeless love affairs with music, social revolution and each other.
Godard loosely bases the narrative off two short stories by 19th century novelist, Guy de Maupassant. The film has parallels with the contemporary and ever popular British television series, Skins, with its frank and honest portrayal of youth and sexuality, the storyline is often interjected by verite or mockumentary style interviews regarding such topics as communism and the pill. The film is also blessed with a fucking hot cast of french people with really nice haircuts, this obviously being much more important than any exploration of the human psyche or politics. I'm glad that I still have my priorities straight..... well...go on....watch it.